In This Corner (and Other Corners) of the World

The story follows a young lady named Suzu Urano, who in 1944 moves to the small town of Kure in Hiroshima to live with her husband's family. Suzu's life is thrown into chaos when her town is bombed during World War II. Her perseverance and courage underpin this heart-warming and inspirational tale of the everyday challenges faced by the Japanese in the midst of a violent, war-torn country. This beautiful yet poignant tale shows that even in the face of adversity and loss, people can come together and rebuild their lives.

The story follows Suzume, a 17-year-old girl from a quiet Kyushu town who meets a young man looking for a door. They find a door within ruins in the mountain, and Suzume opens it. Soon, more doors begin to open around Japan, bringing disasters from the other side. The film depicts Suzume's liberation and growth, as she closes the doors that are causing disaster.

In an alternate timeline, Japan was divided after losing World War II: Hokkaido was annexed by "Union" while Honshu and other southern islands were under US sovereignty. A gigantic yet mysterious tower was constructed at Hokkaido and could be seen clearly from Aomori (the northernmost prefecture of Honshu) across Tsugaru Strait. In the summer of 1996, three 9th-graders had made a promise that one day they'll build an aircraft and unravel the tower's mystery, but their project was abandoned after the girl, Sayuri Sawatari, began experiencing sleeping sickness and transferred to Tokyo for better treatment. Three years later, Hiroki Fujisawa accidentally found out that Sayuri had been in a coma since then, and he asked Takuya Shirakawa to help him finding a way to revive her. What they don't know yet is that Sayuri's unconsciousness is somehow linked with secrets of the tower and the world.

The time: 1814. The place: Edo, now known as Tokyo. One of the highest populated cities in the world, teeming with peasants, samurai, townsmen, merchants, nobles, artists, courtesans, and perhaps even supernatural things. A much accomplished artist of his time and now in his mid-fifties, Tetsuzo can boast clients from all over Japan, and tirelessly works in the garbage-loaded chaos of his house-atelier. He spends his days creating astounding pieces of art, from a giant-size Bodhidharma portrayed on a 180 square meter-wide sheet of paper, to a pair of sparrows painted on a tiny rice grain. Short-tempered, utterly sarcastic, with no passion for sake or money, he would charge a fortune for any job he is not really interested in. Third of Tetsuzo's four daughters and born out of his second marriage, outspoken 23-year-old O-Ei has inherited her father's talent and stubbornness, and very often she would paint instead of him, though uncredited. Her art is so powerful that sometimes leads to trouble. "We're father and daughter; with two brushes and four chopsticks, I guess we can always manage, in a way or another." Decades later, Europe was going to discover the immense talent of Tetsuzo. He was to become best known by one of his many names: Katsushika Hokusai. He would mesmerize Renoir and van Gogh, Monet and Klimt. However, very few today are even aware of the woman who assisted him all his life, and greatly contributed to his art while remaining uncredited. This is the untold story of O-Ei, Master Hokusai's daughter: a lively portrayal of a free-spirited woman overshadowed by her larger-than-life father, unfolding through the changing seasons.