Unico: Black Rain and White Feather

Unico the Unicorn has the amazing power to make anyone he meets happy. Whether it's because of his personality or the powers of his horn, no one knows. However, the gods become jealous of Unico, thinking that only gods should be able to decide or let people be happy or not. Unico is banished to the Hill of Oblivion, and the West Wind is ordered to take him there. She can't stand giving this fate to an innocent like Unico, so Unico's adventures begin, as the West Wind takes him from one place and time to the next, in a neverending journey to escape the wrath of the gods. In this adventure, Unico meets Beezel a devil child and then Katy (Chao), a cat who wants to be a witch! Can he become friends with them?

Based on "Unico and the Kingdom of the Sun," which was newly written as a theater version, this animated film features a battle between the wizard Kukuruku and Unico. Kukuruku builds a castle using dolls transformed from men as building parts. The story revolves around the sorrow and terror of men who have been transfigured into dolls, and a girl named Cherry who wishes to recover the kindness in her brother, who is a student of Kukuruku. This work reminds us of the fact that "transformation" or "transfiguration" - favorite themes of Tezuka Osamu - involves not only material aspects, but also man's immaterial heart.

This is the fourth original animated piece for the Tezuka Osamu Animation theatre that takes up Tezuka Osamu's message of "Saving our Fragile Earth" as its theme, and together with Unico's adventures commemorates the theatre's first anniversary.

In the chaos of the Jinshin-no-Ran civil war of 762, a child with a small horn in his forehead was born. The child's mother condemned him as an oni and cast him away. An elderly shūgenja woman claimed the child and named him Utsunomiko, or 'Divine Child of the Heavens', telling Miko that his horn symbolizes the union of heaven and earth. Miko matured in the wilderness learning the ways of Shugendō, and soon started venturing into villages out of curiosity. He found that the common people of the villages live in poverty and suffering, and began using his spiritual powers to help them. But his anger at the self-serving rulers and their petty power-struggles grew until he came into open conflict with the Imperial Court, setting Miko down a long path as a champion of the oppressed.